Progress 5 (Literature Collecting)

Entry 1

A.   Yoko Bando

B.    Jane Austin’s [Austen’s] Experiment with the Progressive

C.    MLA International Bibliography

D.   Jane Austin

Entry 2

A.   Sandra L. Alagona

B.    Revolution and Improvement in the Writing of Jane Austin and Margaret Fuller

C.    MLA International Bibliography

D.   Jane Austin

Entry 3

A.   Mary Hong

B.    Visualizing Interiors: The Language of Movement in the 2005 Film Pride &Prejudice

C.    MLA International Bibliography

D.   Pride and Prejudice

Entry 4

A.   Olivia Murphy

B.    Jane Austin’s ‘Excellent Walker’: Pride, Prejudice, and Pedestrianism

C.    MLA International Bibliography

D.   Pride and Prejudice

Entry 5

A.   Daniel R. Mangiavellano

B.    First Encounters with Pride and Prejudice in the Composition Classroom

C.    MLA International Bibliography

D.   Pride and Prejudice

Entry 6

A.   Linda A. Robinson

B.    Crinolines and Pantalettes: What MGM’s Switch in Time Did to Pride and Prejudice

C.    MLA International Bibliography

D.   Pride and Prejudice

Entry 7

A.   Vivasvan Soni

B.    Committing Freedom: The Cultivation of Judgment in Rousseau’s Emile and Austin’s Pride and Prejudice

C.    MLA International Bibliography

D.   Pride and Prejudice

Entry 8

A.   Luliana Borbely

B.    Adapting Pride and Prejudice to Film in 2005

C.    MLA International Bibliography

D.   Pride and Prejudice

Entry 9

A.   Michael Suk-Young Chwe

B.    Jane Austen, Game Theorist

C.    MLA International Bibliography

D.   Game theory & Jane Austen

Entry 10

A.   Joyce Goggin

B.    Pride and Prejudice Reloaded: Navigating the Space of Pemberley

C.    MLA International Bibliography

D.   Game theory & Jane Austen

Entry 11

A.   Form and Generic Interrelation in the Romantic Period: Walter Scott’s Poetic Influence on Jane Austen

B.    Nick Bujak

C.    Academic Search Premier

D.   Jane Austen

Entry 12

A.   Daniel J. Kruger 

Maryanne Fisher 

Sarah L. Strout 

Michelle Wehbe 

Shelby Lewis  

Shana’e Clark

B.    VARIATION WOMEN’S MATING STARTEDIES DEPICTED IN THE WORKS AND WORDS OF JANE AUSTEN

C.    Academic Search Premier

D.   Jane Austen

Entry 13

A.   KATERINA KITSI-MITAKOU

B.    Narratives of Absolutism in Jane Austen’s Mansfield Park

C.    Academic Search Premier

D.   Jane Austen

Entry 14

A.   Kamilla Elliott

B.    Jane Austen and the Politics of Picture Identification

C.    Academic Search Premier

D.   Jane Austen

Entry 15

A.   DANIEL POLLACK-PELZNER

B.    Jane Austen, the Prose Shakespeare

C.    Academic Search Premier

D.   Jane Austen

Entry 16

A.   Julia Rodriguez

B.    Beyond Prejudice and Pride

C.    Academic Search Premier

D.   Pride and Prejudice

Entry 17

A.   Katie Gemmill

B.    Ventriloquized Opinions of “Pride and Prejudice,” “Mansfield Park,” and “Emma”: Jane Austen’s Critical Voice

C.    Academic Search Premier

D.   Pride and Prejudice & Jane Austen

Entry 18

A.   Sarah Wootton

B.    THE BYRONIC IN JANE AUSTEN’S PERSUASION AND PRIDE AND PREJUDICE

C.    Academic Search Premier

D.   Pride and Prejudice & Jane Austen

Entry 19

A.   Bettina Fischer-Starcke

B.    Keywords and frequent phrases of Jane Austen’s Pride and Prejudice: A corpus-stylistic analysis

C.    Academic Search Premier

D.   Pride and Prejudice & Jane Austen

Entry 20

A.   JOAN LKINFEL RAY

B.    Pride and Prejudice: The Tale Told by Lady Catherine’s House

C.    Academic Search Premier

D.   Pride and Prejudice & Jane Austen

Entry 21

A.   Bob Palmer

B.    Pride and prejudice

C.    Academic Search Premier

D.   Pride and Prejudice

Entry 22

A.   JENNIFER SCHUESSLER

B.    Game Theory: Jane Austen Had It First

C.    Academic Search Premier

D.   Jane Austen & Game Theory

Entry 23

A.   M. Zolfagharkhani

H. Ramezani

B. ‘Gaze’ and ‘Visuality’ in Jane Austen’s Pride and Prejudice

C. ProQuest: Literature and Language

D. Jane Austen & Game Theory

Entry 24

A.   Massimiliano Morini

B.    Who Evaluates Whom and What in Jane Austen’s Novels

C.    ProQuest: Literature and Language

D.   Jane Austen & Game Theory

Entry 25

A.   Sylvia N. Hamilton

B.    Constructing Mr. Darcy: Tradition, gender, and silent spaces in Jane Austen’s “Pride and Prejudice”

C.    ProQuest: Literature and Language

D.   Jane Austen & Game Theory

Entry 26

A.   Stefanie Markovits

B.    Jane Austen and the Happy Fall

C.    ProQuest: Literature and Language

D.   Jane Austen & Game Theory

Entry 27

A.   Mark Canuel

B.    Jane Austen and the Importance of Being Wrong

C.    ProQuest: Literature and Language

D.   Jane Austen & Game Theory

Entry 28

A.   Sarah Louise Baxter Emsley

B.    Jane Austen and the virtues

C.    ProQuest: Literature and Language

D.   Jane Austen & Game Theory

Entry 29

A.   Stephen Whitley

B.    Marriage marketplace: Marx’s theory of use and exchange value and the sphere of consumption in Jane Austen’s “Emma” and “Mansfield Park”

C.    ProQuest: Literature and Language

D.   Jane Austen & Game Theory

Entry 30

A.   Jeremey Cagle

B.    Elegant complexity: The presence of Cold War game theory in postmodern American fiction

C.    ProQuest: Literature and Language

D.   Game  Theory